モンドリアン – コンポジション（コンポジション） - 1916 - キャンバスプリント

----------------------------------------------------------------------------------𝑷𝒊𝒆𝒕 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏 (𝟏𝟖𝟕𝟐-𝟏𝟗𝟒𝟒) - 𝑪𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏 (𝑪𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒆) - 𝟏𝟗𝟏𝟔 - 𝑫𝒆 𝑺𝒕𝒊𝒋𝒍 (𝑵𝒆𝒐𝒑𝒍𝒂𝒔𝒕𝒊𝒄𝒊𝒔𝒎), 𝑪𝒖𝒃𝒊𝒔𝒎 - 𝑨𝒃𝒔𝒕𝒓𝒂𝒄𝒕, 𝑮𝒆𝒐𝒎𝒆𝒕𝒓𝒊𝒄 𝑨𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏 - 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔 ---- 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 --------------------------------------------------------------------------------------"𝑷𝒊𝒆𝒕 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 "𝑪𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏" 𝒇𝒓𝒐𝒎 𝟏𝟗𝟏𝟔 𝒊𝒔 𝒂 𝒓𝒆𝒎𝒂𝒓𝒌𝒂𝒃𝒍𝒆 𝒑𝒊𝒆𝒄𝒆 𝒕𝒉𝒂𝒕 𝒆𝒏𝒄𝒂𝒑𝒔𝒖𝒍𝒂𝒕𝒆𝒔 𝒕𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕'𝒔 𝒋𝒐𝒖𝒓𝒏𝒆𝒚 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝑪𝒖𝒃𝒊𝒔𝒎 𝒂𝒏𝒅 𝑵𝒆𝒐𝒑𝒍𝒂𝒔𝒕𝒊𝒄𝒊𝒔𝒎, 𝒖𝒍𝒕𝒊𝒎𝒂𝒕𝒆𝒍𝒚 𝒄𝒐𝒏𝒕𝒓𝒊𝒃𝒖𝒕𝒊𝒏𝒈 𝒕𝒐 𝒕𝒉𝒆 𝒆𝒗𝒐𝒍𝒖𝒕𝒊𝒐𝒏 𝒐𝒇 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕, 𝒈𝒆𝒐𝒎𝒆𝒕𝒓𝒊𝒄 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏.𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 𝒆𝒙𝒑𝒐𝒔𝒖𝒓𝒆 𝒕𝒐 𝑪𝒖𝒃𝒊𝒔𝒕 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈𝒔 𝒃𝒚 𝑮𝒆𝒐𝒓𝒈𝒆𝒔 𝑩𝒓𝒂𝒒𝒖𝒆 𝒂𝒏𝒅 𝑷𝒂𝒃𝒍𝒐 𝑷𝒊𝒄𝒂𝒔𝒔𝒐 𝒅𝒖𝒓𝒊𝒏𝒈 𝒂 𝟏𝟗𝟏𝟏 𝒆𝒙𝒉𝒊𝒃𝒊𝒕𝒊𝒐𝒏 𝒊𝒏 𝑨𝒎𝒔𝒕𝒆𝒓𝒅𝒂𝒎 𝒊𝒈𝒏𝒊𝒕𝒆𝒅 𝒉𝒊𝒔 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏."𝑻𝒂𝒃𝒍𝒆𝒂𝒖 𝑵𝒐.𝟐/𝑪𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏 𝑵𝒐.𝑽𝑰𝑰," 𝒑𝒂𝒊𝒏𝒕𝒆𝒅 𝒊𝒏 𝟏𝟗𝟏𝟐, 𝒆𝒙𝒆𝒎𝒑𝒍𝒊𝒇𝒊𝒆𝒔 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 𝒇𝒂𝒔𝒄𝒊𝒏𝒂𝒕𝒊𝒐𝒏 𝒘𝒊𝒕𝒉 𝑪𝒖𝒃𝒊𝒔𝒕 𝒕𝒆𝒄𝒉𝒏𝒊𝒒𝒖𝒆𝒔.𝑫𝒓𝒂𝒘𝒊𝒏𝒈 𝒊𝒏𝒔𝒑𝒊𝒓𝒂𝒕𝒊𝒐𝒏 𝒇𝒓𝒐𝒎 𝒉𝒊𝒈𝒉 𝑨𝒏𝒂𝒍𝒚𝒕𝒊𝒄 𝑪𝒖𝒃𝒊𝒔𝒎, 𝒉𝒆 𝒅𝒊𝒔𝒔𝒆𝒄𝒕𝒔 𝒉𝒊𝒔 𝒎𝒐𝒕𝒊𝒇—𝒑𝒆𝒓𝒉𝒂𝒑𝒔 𝒂 𝒕𝒓𝒆𝒆—𝒊𝒏𝒕𝒐 𝒂 𝒔𝒄𝒂𝒇𝒇𝒐𝒍𝒅𝒊𝒏𝒈 𝒐𝒇 𝒊𝒏𝒕𝒆𝒓𝒍𝒐𝒄𝒌𝒊𝒏𝒈 𝒃𝒍𝒂𝒄𝒌 𝒍𝒊𝒏𝒆𝒔 𝒂𝒏𝒅 𝒑𝒍𝒂𝒏𝒆𝒔 𝒐𝒇 𝒄𝒐𝒍𝒐𝒓. 𝑻𝒉𝒆 𝒑𝒂𝒍𝒆𝒕𝒕𝒆, 𝒄𝒉𝒂𝒓𝒂𝒄𝒕𝒆𝒓𝒊𝒛𝒆𝒅 𝒃𝒚 𝒄𝒍𝒐𝒔𝒆-𝒗𝒂𝒍𝒖𝒆𝒅 𝒐𝒄𝒉𝒆𝒓 𝒂𝒏𝒅 𝒈𝒓𝒂𝒚 𝒕𝒐𝒏𝒆𝒔, 𝒓𝒆𝒔𝒐𝒏𝒂𝒕𝒆𝒔 𝒘𝒊𝒕𝒉 𝑪𝒖𝒃𝒊𝒔𝒕 𝒄𝒂𝒏𝒗𝒂𝒔𝒆𝒔.𝑯𝒐𝒘𝒆𝒗𝒆𝒓, 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏 𝒔𝒖𝒓𝒑𝒂𝒔𝒔𝒆𝒔 𝒕𝒉𝒆 𝒅𝒆𝒈𝒓𝒆𝒆 𝒐𝒇 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏 𝒆𝒎𝒃𝒓𝒂𝒄𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝑷𝒂𝒓𝒊𝒔𝒊𝒂𝒏 𝑪𝒖𝒃𝒊𝒔𝒕𝒔.𝑯𝒊𝒔 𝒔𝒖𝒃𝒋𝒆𝒄𝒕𝒔 𝒃𝒆𝒄𝒐𝒎𝒆 𝒍𝒆𝒔𝒔 𝒓𝒆𝒄𝒐𝒈𝒏𝒊𝒛𝒂𝒃𝒍𝒆, 𝒓𝒆𝒋𝒆𝒄𝒕𝒊𝒏𝒈 𝒂𝒏𝒚 𝒉𝒊𝒏𝒕 𝒐𝒇 𝒗𝒐𝒍𝒖𝒎𝒆.𝑼𝒏𝒍𝒊𝒌𝒆 𝒕𝒉𝒆 𝑪𝒖𝒃𝒊𝒔𝒕𝒔, 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 𝒔𝒄𝒂𝒇𝒇𝒐𝒍𝒅𝒊𝒏𝒈 𝒇𝒂𝒅𝒆𝒔 𝒂𝒕 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈'𝒔 𝒆𝒅𝒈𝒆𝒔, 𝒎𝒐𝒗𝒊𝒏𝒈 𝒂𝒘𝒂𝒚 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒑𝒓𝒂𝒄𝒕𝒊𝒄𝒆 𝒐𝒇 𝒂𝒏𝒄𝒉𝒐𝒓𝒊𝒏𝒈 𝒄𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏𝒔 𝒂𝒕 𝒕𝒉𝒆 𝒃𝒐𝒕𝒕𝒐𝒎 𝒐𝒇 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔.𝑰𝒏 𝒕𝒉𝒆 𝒔𝒖𝒃𝒔𝒆𝒒𝒖𝒆𝒏𝒕 𝒘𝒂𝒓 𝒚𝒆𝒂𝒓𝒔, 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏 𝒇𝒖𝒓𝒕𝒉𝒆𝒓 𝒆𝒎𝒃𝒓𝒂𝒄𝒆𝒅 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕𝒊𝒐𝒏, 𝒓𝒆𝒍𝒊𝒏𝒒𝒖𝒊𝒔𝒉𝒊𝒏𝒈 𝒅𝒊𝒂𝒈𝒐𝒏𝒂𝒍 𝒍𝒊𝒏𝒆𝒔 𝒂𝒏𝒅 𝒓𝒆𝒅𝒖𝒄𝒊𝒏𝒈 𝒓𝒆𝒍𝒊𝒂𝒏𝒄𝒆 𝒐𝒏 𝒉𝒊𝒔 𝒑𝒓𝒆𝒇𝒆𝒓𝒓𝒆𝒅 𝒔𝒖𝒃𝒋𝒆𝒄𝒕𝒔 𝒍𝒊𝒌𝒆 𝒕𝒓𝒆𝒆𝒔 𝒂𝒏𝒅 𝒔𝒆𝒂𝒔𝒄𝒂𝒑𝒆𝒔."𝑪𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏," 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒃𝒚 𝒔𝒕𝒖𝒅𝒊𝒆𝒔 𝒐𝒇 𝒂 𝒄𝒉𝒖𝒓𝒄𝒉, 𝒊𝒔 𝒂𝒎𝒐𝒏𝒈 𝒉𝒊𝒔 𝒍𝒂𝒔𝒕 𝒘𝒐𝒓𝒌𝒔 𝒕𝒓𝒂𝒄𝒆𝒂𝒃𝒍𝒆 𝒕𝒐 𝒂𝒏 𝒐𝒃𝒔𝒆𝒓𝒗𝒂𝒃𝒍𝒆 𝒔𝒐𝒖𝒓𝒄𝒆.𝑻𝒉𝒊𝒔 𝒔𝒉𝒊𝒇𝒕 𝒓𝒆𝒇𝒍𝒆𝒄𝒕𝒔 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 𝒑𝒓𝒊𝒎𝒂𝒓𝒚 𝒇𝒐𝒄𝒖𝒔 𝒐𝒏 𝒈𝒓𝒂𝒑𝒑𝒍𝒊𝒏𝒈 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝒕𝒘𝒐-𝒅𝒊𝒎𝒆𝒏𝒔𝒊𝒐𝒏𝒂𝒍𝒊𝒕𝒚 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒆𝒅 𝒔𝒖𝒓𝒇𝒂𝒄𝒆.𝑵𝒐𝒕𝒂𝒃𝒍𝒚, 𝒉𝒆 𝒅𝒆𝒔𝒊𝒈𝒏𝒆𝒅 𝒂 𝒔𝒕𝒓𝒊𝒑 𝒇𝒓𝒂𝒎𝒆 (𝒏𝒐𝒘 𝒍𝒐𝒔𝒕) 𝒇𝒐𝒓 𝒕𝒉𝒊𝒔 𝒘𝒐𝒓𝒌, 𝒂𝒊𝒎𝒊𝒏𝒈 𝒕𝒐 𝒄𝒐𝒖𝒏𝒕𝒆𝒓𝒂𝒄𝒕 𝒕𝒉𝒆 𝒔𝒆𝒏𝒔𝒂𝒕𝒊𝒐𝒏 𝒐𝒇 𝒅𝒆𝒑𝒕𝒉 𝒄𝒓𝒆𝒂𝒕𝒆𝒅 𝒃𝒚 𝒕𝒓𝒂𝒅𝒊𝒕𝒊𝒐𝒏𝒂𝒍 𝒄𝒂𝒓𝒗𝒆𝒅 𝒇𝒓𝒂𝒎𝒆𝒔. 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒔𝒐𝒍𝒖𝒕𝒊𝒐𝒏𝒔 𝒓𝒆𝒗𝒆𝒂𝒍 𝒂𝒏 𝒊𝒏𝒆𝒙𝒐𝒓𝒂𝒃𝒍𝒆 𝒄𝒐𝒏𝒔𝒊𝒔𝒕𝒆𝒏𝒄𝒚 𝒂𝒏𝒅 𝒊𝒏𝒕𝒆𝒓𝒏𝒂𝒍 𝒍𝒐𝒈𝒊𝒄, 𝒊𝒏𝒅𝒊𝒄𝒂𝒕𝒊𝒏𝒈 𝒂 𝒍𝒂𝒓𝒈𝒆𝒓 𝒄𝒐𝒏𝒄𝒆𝒑𝒕𝒖𝒂𝒍 𝒑𝒓𝒊𝒏𝒄𝒊𝒑𝒍𝒆 𝒐𝒖𝒕𝒍𝒊𝒏𝒆𝒅 𝒊𝒏 𝒉𝒊𝒔 𝒆𝒙𝒕𝒆𝒏𝒔𝒊𝒗𝒆 𝒕𝒉𝒆𝒐𝒓𝒆𝒕𝒊𝒄𝒂𝒍 𝒘𝒓𝒊𝒕𝒊𝒏𝒈𝒔.𝑹𝒐𝒐𝒕𝒆𝒅 𝒊𝒏 𝒔𝒑𝒊𝒓𝒊𝒕𝒖𝒂𝒍𝒊𝒕𝒚, 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏 𝒂𝒊𝒎𝒆𝒅 𝒕𝒐 𝒅𝒊𝒔𝒕𝒊𝒍𝒍 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒐𝒇 𝒕𝒉𝒆 𝒓𝒆𝒂𝒍 𝒘𝒐𝒓𝒍𝒅, 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒊𝒏𝒈 𝒖𝒏𝒊𝒗𝒆𝒓𝒔𝒂𝒍 𝒅𝒊𝒄𝒉𝒐𝒕𝒐𝒎𝒊𝒆𝒔 𝒊𝒏 𝒆𝒕𝒆𝒓𝒏𝒂𝒍 𝒕𝒆𝒏𝒔𝒊𝒐𝒏.𝑩𝒂𝒍𝒂𝒏𝒄𝒊𝒏𝒈 𝒉𝒐𝒓𝒊𝒛𝒐𝒏𝒕𝒂𝒍 𝒂𝒏𝒅 𝒗𝒆𝒓𝒕𝒊𝒄𝒂𝒍 𝒔𝒕𝒓𝒐𝒌𝒆𝒔 𝒊𝒏 𝒂 𝒚𝒊𝒏/𝒚𝒂𝒏𝒈 𝒇𝒂𝒔𝒉𝒊𝒐𝒏, 𝒉𝒆 𝒑𝒓𝒊𝒗𝒊𝒍𝒆𝒈𝒆𝒅 𝒑𝒓𝒊𝒏𝒄𝒊𝒑𝒍𝒆𝒔 𝒐𝒇 𝒔𝒕𝒂𝒃𝒊𝒍𝒊𝒕𝒚, 𝒖𝒏𝒊𝒗𝒆𝒓𝒔𝒂𝒍𝒊𝒕𝒚, 𝒂𝒏𝒅 𝒔𝒑𝒊𝒓𝒊𝒕𝒖𝒂𝒍𝒊𝒕𝒚.𝑯𝒊𝒔 𝒑𝒉𝒊𝒍𝒐𝒔𝒐𝒑𝒉𝒊𝒄𝒂𝒍 𝒇𝒐𝒖𝒏𝒅𝒂𝒕𝒊𝒐𝒏 𝒅𝒓𝒆𝒘 𝒇𝒓𝒐𝒎 𝑵𝒆𝒐𝒑𝒍𝒂𝒕𝒐𝒏𝒊𝒄 𝒂𝒏𝒅 𝑻𝒂𝒏𝒕𝒓𝒊𝒄-𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒕𝒆𝒙𝒕𝒔 𝒂𝒔𝒔𝒐𝒄𝒊𝒂𝒕𝒆𝒅 𝒘𝒊𝒕𝒉 𝒕𝒉𝒆 𝑻𝒉𝒆𝒐𝒔𝒐𝒑𝒉𝒊𝒄𝒂𝒍 𝑺𝒐𝒄𝒊𝒆𝒕𝒚, 𝒐𝒇 𝒘𝒉𝒊𝒄𝒉 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏 𝒉𝒂𝒅 𝒃𝒆𝒆𝒏 𝒂 𝒎𝒆𝒎𝒃𝒆𝒓 𝒔𝒊𝒏𝒄𝒆 𝟏𝟗𝟎𝟗."𝑪𝒐𝒎𝒑𝒐𝒔𝒊𝒕𝒊𝒐𝒏" 𝒔𝒕𝒂𝒏𝒅𝒔 𝒂𝒔 𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝑴𝒐𝒏𝒅𝒓𝒊𝒂𝒏'𝒔 𝒄𝒐𝒎𝒎𝒊𝒕𝒎𝒆𝒏𝒕 𝒕𝒐 𝒂 𝒔𝒑𝒊𝒓𝒊𝒕𝒖𝒂𝒍 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒂𝒓𝒕 𝒂𝒏𝒅 𝒉𝒊𝒔 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒕𝒊𝒂𝒍 𝒓𝒐𝒍𝒆 𝒊𝒏 𝒕𝒉𝒆 𝒅𝒆𝒗𝒆𝒍𝒐𝒑𝒎𝒆𝒏𝒕 𝒐𝒇 𝒂𝒃𝒔𝒕𝒓𝒂𝒄𝒕 𝒂𝒓𝒕 𝒊𝒏 𝒕𝒉𝒆 𝟐𝟎𝒕𝒉 𝒄𝒆𝒏𝒕𝒖𝒓𝒚."