J. P. – 熱の中の目II - 1947 -抽象芸術- キャンバスプリント

-----------------------------------------------------------------------------------J.P. (American, 1912-1956) - Eyes in the Heat II - 1947 - Action 絵を描's (Drip period) -抽象芸術表現主義 – 油とアルミニウムのキャンバス上絵を描の- 𝑯𝒊-𝑹𝒆𝒔 𝑫𝒊𝒈𝒊𝒕𝒂𝒍𝒍𝒚 𝑹𝒆𝒎𝒂𝒔𝒕𝒆𝒓𝒆𝒅 𝑽𝒆𝒓𝒔𝒊𝒐𝒏 -------------------------------------------------𝑬𝒚𝒆𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑯𝒆𝒂𝒕 𝑰𝑰, 𝒂 𝒕𝒆𝒔𝒕𝒂𝒎𝒆𝒏𝒕 𝒕𝒐 𝑱.𝑷.'𝒔 𝒕𝒓𝒂𝒏𝒔𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒗𝒆 𝒑𝒆𝒓𝒊𝒐𝒅 𝒐𝒇 𝒄𝒓𝒆𝒂𝒕𝒊𝒗𝒊𝒕𝒚, 𝒆𝒏𝒄𝒂𝒑𝒔𝒖𝒍𝒂𝒕𝒆𝒔 𝒉𝒊𝒔 𝒔𝒉𝒊𝒇𝒕 𝒕𝒐𝒘𝒂𝒓𝒅𝒔 𝒈𝒓𝒐𝒖𝒏𝒅𝒃𝒓𝒆𝒂𝒌𝒊𝒏𝒈 𝒕𝒆𝒄𝒉𝒏𝒊𝒒𝒖𝒆𝒔.𝑬𝒙𝒆𝒄𝒖𝒕𝒆𝒅 𝒂𝒕 𝒕𝒉𝒆 𝒄𝒖𝒔𝒑 𝒐𝒇 𝒊𝒏𝒕𝒆𝒏𝒔𝒆 𝒆𝒙𝒑𝒍𝒐𝒓𝒂𝒕𝒊𝒐𝒏, 𝒕𝒉𝒊𝒔 𝒄𝒂𝒏𝒗𝒂𝒔 𝒎𝒂𝒓𝒌𝒔 𝒐𝒏𝒆 𝒐𝒇 𝑱.𝑷.'𝒔 𝒊𝒏𝒊𝒕𝒊𝒂𝒍 𝒇𝒐𝒓𝒂𝒚𝒔 𝒊𝒏𝒕𝒐 𝒕𝒉𝒆 "𝒑𝒐𝒖𝒓𝒆𝒅" 𝒔𝒕𝒚𝒍𝒆, 𝒓𝒂𝒅𝒊𝒂𝒕𝒊𝒏𝒈 𝒑𝒖𝒍𝒔𝒂𝒕𝒊𝒏𝒈 𝒆𝒏𝒆𝒓𝒈𝒚.𝑬𝒗𝒆𝒓𝒚 𝒊𝒏𝒄𝒉 𝒐𝒇 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔 𝒃𝒆𝒂𝒓𝒔 𝒕𝒉𝒆 𝒊𝒎𝒑𝒓𝒊𝒏𝒕 𝒐𝒇 𝑱.𝑷.'𝒔 𝒔𝒘𝒆𝒆𝒑𝒊𝒏𝒈 𝒂𝒏𝒅 𝒔𝒘𝒊𝒓𝒍𝒊𝒏𝒈 𝒊𝒎𝒑𝒂𝒔𝒕𝒐, 𝒄𝒓𝒆𝒂𝒕𝒊𝒏𝒈 𝒂 𝒓𝒉𝒚𝒕𝒉𝒎𝒊𝒄 𝒅𝒂𝒏𝒄𝒆 𝒂𝒄𝒓𝒐𝒔𝒔 𝒊𝒕𝒔 𝒆𝒏𝒄𝒓𝒖𝒔𝒕𝒆𝒅 𝒔𝒖𝒓𝒇𝒂𝒄𝒆.𝑨𝒔 𝒂 𝒑𝒊𝒐𝒏𝒆𝒆𝒓𝒊𝒏𝒈 𝒘𝒐𝒓𝒌, 𝑬𝒚𝒆𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑯𝒆𝒂𝒕 𝑰𝑰 𝒂𝒎𝒂𝒍𝒈𝒂𝒎𝒂𝒕𝒆𝒔 𝒊𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒔 𝒇𝒓𝒐𝒎 𝑽𝒂𝒏 𝑮𝒐𝒈𝒉'𝒔 𝑷𝒐𝒔𝒕-𝑰𝒎𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏𝒊𝒔𝒎, 𝑪𝒖𝒃𝒊𝒔𝒎, 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒔𝒑𝒐𝒏𝒕𝒂𝒏𝒆𝒐𝒖𝒔 𝒂𝒖𝒕𝒐𝒎𝒂𝒕𝒊𝒔𝒎 𝒐𝒇 𝑺𝒖𝒓𝒓𝒆𝒂𝒍𝒊𝒔𝒕 𝒑𝒂𝒊𝒏𝒕𝒆𝒓𝒔.𝑻𝒉𝒆 𝒓𝒆𝒔𝒖𝒍𝒕 𝒊𝒔 𝒂𝒏 𝒊𝒏𝒕𝒐𝒙𝒊𝒄𝒂𝒕𝒊𝒏𝒈 𝒗𝒊𝒔𝒖𝒂𝒍 𝒔𝒚𝒎𝒑𝒉𝒐𝒏𝒚, 𝒘𝒉𝒆𝒓𝒆 𝒅𝒊𝒔𝒑𝒂𝒓𝒂𝒕𝒆 𝒆𝒍𝒆𝒎𝒆𝒏𝒕𝒔 𝒄𝒐𝒂𝒍𝒆𝒔𝒄𝒆 𝒊𝒏𝒕𝒐 𝒂 𝒉𝒂𝒓𝒎𝒐𝒏𝒊𝒐𝒖𝒔 𝒘𝒉𝒐𝒍𝒆.𝑻𝒉𝒊𝒔 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈 𝒓𝒆𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒔 𝑱.𝑷.'𝒔 𝒆𝒎𝒃𝒓𝒂𝒄𝒆 𝒐𝒇 𝒏𝒆𝒘𝒇𝒐𝒖𝒏𝒅 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒂 𝒑𝒓𝒆𝒄𝒖𝒓𝒔𝒐𝒓 𝒕𝒐 𝒕𝒉𝒆 𝒊𝒄𝒐𝒏𝒊𝒄 𝒘𝒐𝒓𝒌𝒔 𝒉𝒆 𝒘𝒐𝒖𝒍𝒅 𝒑𝒓𝒐𝒅𝒖𝒄𝒆 𝒊𝒏 𝒕𝒉𝒆 𝒔𝒖𝒃𝒔𝒆𝒒𝒖𝒆𝒏𝒕 𝒚𝒆𝒂𝒓𝒔. 𝑵𝒐𝒕𝒂𝒃𝒍𝒚, 𝒄𝒓𝒊𝒕𝒊𝒄 𝑭𝒓𝒂𝒏𝒌 𝑶'𝑯𝒂𝒓𝒂 𝒂𝒄𝒌𝒏𝒐𝒘𝒍𝒆𝒅𝒈𝒆𝒅 𝒕𝒉𝒆 𝒎𝒂𝒈𝒏𝒆𝒕𝒊𝒄 𝒂𝒍𝒍𝒖𝒓𝒆 𝒐𝒇 𝑬𝒚𝒆𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑯𝒆𝒂𝒕 𝑰𝑰 𝒊𝒏 𝒉𝒊𝒔 𝟏𝟗𝟓𝟗 𝒎𝒐𝒏𝒐𝒈𝒓𝒂𝒑𝒉, 𝒅𝒆𝒔𝒄𝒓𝒊𝒃𝒊𝒏𝒈 𝒊𝒕 𝒂𝒔 𝒂 "𝒎𝒂𝒆𝒍𝒔𝒕𝒓𝒐𝒎 𝒐𝒇 𝒇𝒊𝒆𝒓𝒚 𝒔𝒊𝒍𝒗𝒆𝒓" 𝒘𝒊𝒕𝒉 𝒂 𝒄𝒂𝒑𝒕𝒊𝒗𝒂𝒕𝒊𝒏𝒈 𝒂𝒏𝒅 𝒅𝒂𝒏𝒈𝒆𝒓𝒐𝒖𝒔 𝒈𝒍𝒂𝒎𝒐𝒖𝒓 𝒂𝒌𝒊𝒏 𝒕𝒐 𝒍𝒆𝒈𝒆𝒏𝒅𝒂𝒓𝒚 𝒗𝒐𝒍𝒄𝒂𝒏𝒐𝒆𝒔.𝑰𝒏 𝟏𝟗𝟒𝟓, 𝑱.𝑷.'𝒔 𝒑𝒊𝒗𝒐𝒕𝒂𝒍 𝒎𝒐𝒗𝒆 𝒕𝒐 𝑳𝒐𝒏𝒈 𝑰𝒔𝒍𝒂𝒏𝒅 𝒄𝒂𝒕𝒂𝒍𝒚𝒛𝒆𝒅 𝒂 𝒕𝒓𝒂𝒏𝒔𝒇𝒐𝒓𝒎𝒂𝒕𝒊𝒗𝒆 𝒔𝒉𝒊𝒇𝒕 𝒊𝒏 𝒉𝒊𝒔 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒂𝒑𝒑𝒓𝒐𝒂𝒄𝒉.𝑻𝒉𝒊𝒔 𝒄𝒉𝒂𝒏𝒈𝒆 𝒊𝒏𝒔𝒑𝒊𝒓𝒆𝒅 𝒔𝒆𝒓𝒊𝒆𝒔 𝒍𝒊𝒌𝒆 𝑺𝒐𝒖𝒏𝒅𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑮𝒓𝒂𝒔𝒔 𝒂𝒏𝒅 𝑨𝒄𝒄𝒂𝒃𝒐𝒏𝒂𝒄 𝑪𝒓𝒆𝒆𝒌, 𝒘𝒉𝒆𝒓𝒆 𝒉𝒆 𝒔𝒐𝒖𝒈𝒉𝒕 𝒕𝒐 𝒄𝒂𝒑𝒕𝒖𝒓𝒆 𝒕𝒉𝒆 𝒆𝒔𝒔𝒆𝒏𝒄𝒆 𝒐𝒇 𝒉𝒊𝒔 𝒏𝒆𝒘 𝒍𝒐𝒄𝒂𝒍𝒆.𝑬𝒚𝒆𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑯𝒆𝒂𝒕 𝑰𝑰, 𝒂𝒍𝒐𝒏𝒈 𝒘𝒊𝒕𝒉 𝒐𝒕𝒉𝒆𝒓 𝒏𝒐𝒕𝒂𝒃𝒍𝒆 𝒘𝒐𝒓𝒌𝒔, 𝒆𝒎𝒆𝒓𝒈𝒆𝒅 𝒅𝒖𝒓𝒊𝒏𝒈 𝒕𝒉𝒊𝒔 𝒑𝒆𝒓𝒊𝒐𝒅 𝒂𝒏𝒅 𝒔𝒊𝒈𝒏𝒂𝒍𝒆𝒅 𝒂 𝒔𝒊𝒈𝒏𝒊𝒇𝒊𝒄𝒂𝒏𝒕 𝒆𝒗𝒐𝒍𝒖𝒕𝒊𝒐𝒏 𝒊𝒏 𝑱.𝑷.'𝒔 𝒕𝒓𝒂𝒋𝒆𝒄𝒕𝒐𝒓𝒚.𝑻𝒉𝒆 𝒂𝒓𝒕𝒊𝒔𝒕 𝒆𝒙𝒑𝒂𝒏𝒅𝒆𝒅 𝒉𝒊𝒔 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒗𝒆 𝒕𝒐𝒐𝒍𝒌𝒊𝒕, 𝒊𝒏𝒄𝒐𝒓𝒑𝒐𝒓𝒂𝒕𝒊𝒏𝒈 𝒑𝒂𝒍𝒆𝒕𝒕𝒆 𝒌𝒏𝒊𝒗𝒆𝒔 𝒂𝒏𝒅 𝒆𝒗𝒆𝒏 𝒉𝒊𝒔 𝒇𝒊𝒏𝒈𝒆𝒓𝒔, 𝒂𝒑𝒑𝒍𝒚𝒊𝒏𝒈 𝒑𝒂𝒊𝒏𝒕 𝒅𝒊𝒓𝒆𝒄𝒕𝒍𝒚 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒕𝒖𝒃𝒆 𝒕𝒐 𝒄𝒓𝒆𝒂𝒕𝒆 𝒂 𝒓𝒊𝒄𝒉𝒍𝒚 𝒕𝒆𝒙𝒕𝒖𝒓𝒆𝒅 𝒓𝒆𝒍𝒊𝒆𝒇 𝒐𝒏 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔.𝑻𝒉𝒆 𝒅𝒆𝒏𝒔𝒆𝒍𝒚 𝒘𝒐𝒓𝒌𝒆𝒅 𝒄𝒂𝒏𝒗𝒂𝒔 𝒐𝒇 𝑬𝒚𝒆𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑯𝒆𝒂𝒕 𝑰𝑰 𝒔𝒖𝒈𝒈𝒆𝒔𝒕𝒔 𝒂 𝒄𝒐𝒏𝒏𝒆𝒄𝒕𝒊𝒐𝒏 𝒕𝒐 𝒊𝒕𝒔 𝒆𝒏𝒊𝒈𝒎𝒂𝒕𝒊𝒄 𝒕𝒊𝒕𝒍𝒆. 𝑰𝒏𝒇𝒍𝒖𝒆𝒏𝒄𝒆𝒅 𝒃𝒚 𝒕𝒉𝒆 𝒍𝒊𝒈𝒉𝒕 𝒂𝒏𝒅 𝒏𝒂𝒕𝒖𝒓𝒂𝒍 𝒔𝒖𝒓𝒓𝒐𝒖𝒏𝒅𝒊𝒏𝒈𝒔 𝒐𝒇 𝑳𝒐𝒏𝒈 𝑰𝒔𝒍𝒂𝒏𝒅, 𝒕𝒉𝒆 𝒍𝒂𝒚𝒆𝒓𝒔 𝒐𝒇 𝒊𝒎𝒑𝒂𝒔𝒕𝒐 𝒆𝒗𝒐𝒌𝒆 𝒂 𝒔𝒆𝒏𝒔𝒆 𝒐𝒇 𝒖𝒏𝒊𝒅𝒆𝒏𝒕𝒊𝒇𝒊𝒆𝒅 𝒂𝒏𝒊𝒎𝒂𝒍 𝒍𝒊𝒇𝒆 𝒄𝒐𝒏𝒄𝒆𝒂𝒍𝒆𝒅 𝒊𝒏 𝒕𝒉𝒆 𝒕𝒂𝒍𝒍 𝒈𝒓𝒂𝒔𝒔, 𝒔𝒆𝒆𝒌𝒊𝒏𝒈 𝒓𝒆𝒇𝒖𝒈𝒆 𝒇𝒓𝒐𝒎 𝒕𝒉𝒆 𝒔𝒄𝒐𝒓𝒄𝒉𝒊𝒏𝒈 𝒔𝒖𝒎𝒎𝒆𝒓 𝒔𝒖𝒏.𝑬𝒍𝒍𝒊𝒑𝒕𝒊𝒄𝒂𝒍 𝒇𝒐𝒓𝒎𝒔, 𝒕𝒉𝒆 "𝒆𝒚𝒆𝒔" 𝒐𝒇 𝒕𝒉𝒆 𝒑𝒂𝒊𝒏𝒕𝒊𝒏𝒈, 𝒑𝒆𝒆𝒌 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒕𝒉𝒆 𝒍𝒂𝒚𝒆𝒓𝒔, 𝒎𝒊𝒓𝒓𝒐𝒓𝒊𝒏𝒈 𝒕𝒉𝒆 𝒓𝒆𝒔𝒕𝒍𝒆𝒔𝒔 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒐𝒇 𝒕𝒉𝒆 𝒐𝒃𝒔𝒆𝒓𝒗𝒆𝒓'𝒔 𝒈𝒂𝒛𝒆 𝒂𝒄𝒓𝒐𝒔𝒔 𝒕𝒉𝒆 𝒄𝒂𝒏𝒗𝒂𝒔.𝑻𝒉𝒊𝒔 𝒅𝒚𝒏𝒂𝒎𝒊𝒄 𝒒𝒖𝒂𝒍𝒊𝒕𝒚 𝒓𝒆𝒄𝒂𝒍𝒍𝒔 𝒕𝒉𝒆 𝒘𝒐𝒓𝒌 𝒐𝒇 𝑱.𝑷.'𝒔 𝒎𝒆𝒏𝒕𝒐𝒓, 𝑻𝒉𝒐𝒎𝒂𝒔 𝑯𝒂𝒓𝒕 𝑩𝒆𝒏𝒕𝒐𝒏, 𝒘𝒉𝒐𝒔𝒆 𝒃𝒖𝒔𝒕𝒍𝒊𝒏𝒈 𝒔𝒄𝒆𝒏𝒆𝒔 𝒎𝒊𝒓𝒓𝒐𝒓𝒆𝒅 𝒕𝒉𝒆 𝒗𝒊𝒃𝒓𝒂𝒏𝒕 𝒂𝒄𝒕𝒊𝒗𝒊𝒕𝒚 𝒐𝒇 𝑨𝒎𝒆𝒓𝒊𝒄𝒂𝒏 𝒍𝒊𝒇𝒆.𝑱.𝑷.'𝒔 𝒓𝒆𝒍𝒐𝒄𝒂𝒕𝒊𝒐𝒏 𝒕𝒐 𝑳𝒐𝒏𝒈 𝑰𝒔𝒍𝒂𝒏𝒅 𝒖𝒏𝒍𝒆𝒂𝒔𝒉𝒆𝒅 𝒂 𝒏𝒆𝒘𝒇𝒐𝒖𝒏𝒅 𝒇𝒓𝒆𝒆𝒅𝒐𝒎 𝒊𝒏 𝒉𝒊𝒔 𝒂𝒓𝒕𝒊𝒔𝒕𝒊𝒄 𝒆𝒙𝒑𝒓𝒆𝒔𝒔𝒊𝒐𝒏, 𝒄𝒖𝒍𝒎𝒊𝒏𝒂𝒕𝒊𝒏𝒈 𝒊𝒏 𝑬𝒚𝒆𝒔 𝒊𝒏 𝒕𝒉𝒆 𝑯𝒆𝒂𝒕 𝑰𝑰.𝑻𝒉𝒊𝒔 𝒘𝒐𝒓𝒌, 𝒘𝒊𝒕𝒉 𝒊𝒕𝒔 𝒔𝒑𝒆𝒄𝒕𝒂𝒄𝒖𝒍𝒂𝒓 𝒓𝒆𝒔𝒖𝒍𝒕𝒔, 𝒑𝒍𝒂𝒚𝒆𝒅 𝒂 𝒑𝒊𝒗𝒐𝒕𝒂𝒍 𝒓𝒐𝒍𝒆 𝒊𝒏 𝒔𝒉𝒂𝒑𝒊𝒏𝒈 𝒉𝒊𝒔 𝒅𝒊𝒔𝒕𝒊𝒏𝒄𝒕𝒊𝒗𝒆 𝒔𝒕𝒚𝒍𝒆, 𝒓𝒆𝒄𝒐𝒈𝒏𝒊𝒛𝒆𝒅 𝒂𝒏𝒅 𝒄𝒉𝒆𝒓𝒊𝒔𝒉𝒆𝒅 𝒃𝒚 𝒄𝒐𝒏𝒏𝒐𝒊𝒔𝒔𝒆𝒖𝒓𝒔 𝒔𝒊𝒏𝒄𝒆 𝒊𝒕𝒔 𝒅𝒆𝒃𝒖𝒕.